The recurring figures in my work, which appear in this painting, are based on my version of the yellow “Border Crossing” sign (also known as an “Immigration Crossing” sign.) The figures, often holding hands in unity, do not run in fear, but move with dignity and determination. My decision to use these figures is due to my close identification with immigrants as I am a descendant of immigrants from Mexico and belong to a community that consists mainly of first, second, and third generation immigrants. The presence of these figures in my artwork serves to present the story of the empowered immigrants and their descendants, and beyond that, to promote unity between humans. In the painting, Moving On, a woman leads 13 children over a rainbow. The rainbow serves as a bridge crossing over a prison of barbed wire referencing border and immigration issues. The woman, representing the adult leaders of the community, is showing these children another way to transcend the limits and boundaries that may be imposed on them. Beneath the owl, representing the ancestors, these children are on their way to becoming the leaders of the future. The group heads toward a teokalli (place of energy) which they will climb upward. Under the rainbow is a cactus, as found on the Codex Mendoza, and barbed wire. These details are an allusion to immigration across the U.S. border. The piece is about "moving on" beyond mental illusions, social constructions, to transcend physical existence. This can be considered a metaphorical death, a transformation of the self: a liberation of the mind and spirit. Certain details can be enjoyed best in person. Please visit again to find out when I will exhibit this painting. Also, sign up for Email Updates in the bar to the right to find out about my new artwork, upcoming exhibitions, and more!
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Elizabeth Jiménez Montelongo
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